Bram approaches Lindy Hop through movement analysis rooted in the pedagogy of Jacques Lecoq. He dissects how two bodies physically interact, ensuring that technique is not a rigid straitjacket, but a means to move together organically. In his classes, technique and expression merge through an infectious playfulness, fueled by his experience in clowning and improvisational theatre. He provides the right tools so that every dancer finds the freedom to own the floor with their own unique personality, fully in the spirit of Jacques Lecoq:
“Bouge pas comme moi, bouge comme toi.”